387 file audio bebas royalti untuk "All Interval Twelve Tone Rows"

Diminished triad on B, as MIDI

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Leading-tone seventh chord in C minor.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Für alle Heilgen in der Herrlichkeit (Gotteslob (2013) 548) Herr, mach uns stark im Mut, der dich bekennt (Evang. Gesangbuch 154; Gotteslob (2013) 552)

తెలుగు: పసిడిమెరుంగుల తళతళలు రచన – బాలాంత్రపు రజనీకాంతరావు గారు గానం – భానుమతి , రజని గార్లు ఆడియో సహకారం – టి. వి. రావు గారు Pasidi merungula thalathalalu audio, Author: Balantrapu Rajanikantha Rao, Singers: Bhanumathi, Rajani, Audio recording:T V Rao, Publisher: All India Radio

Leading-tone seventh chord in C major.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

Twelve Variations on "Ah vous dirai-je, Maman", K. 265 by Wolfgang Amadeus Mozart; 11:51 minutes

Interpret: Zaccarias (Lyrio Panicalli) Komponist: Zéquinha de Abreu Titel: Tico-Tico no Fubá Genre: Choro Aufnahmedatum: 18. Oktober 1943 Erstveröffentlichung: 1931 (song); 1944 (recording)

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Interpret: Harry Mortimer Titel: Trumpet Concerto in E Flat Komponist: Joseph Haydn Genre: Kammermusik Aufnahmedatum: 19. Juni 1946 Erstveröffentlichung: 1949

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

*Lesser 37-limit quarter tone on C = D-. Just: 38:37 = 46.17 cents. Limit: 37-limit. MIDI pitch bend: 99,78

Ninth vs added-ninth chord.

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Ah je vous dirai maman theme

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Chord progression with diminished seventh chords added.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

*Greater undecimal neutral second on C = D↑♭- (Ben Johnston's notation). 11/10 = 165 cents. Limit: 11-limit. MIDI pitch bend: 103,84 on m2

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

*Quarter tone on C = C/D. Equal-tempered: 21/24:1 = 50 cents. Preceded by:'

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Interpret: Mario Chamlee Titel: Serenade Komponist: Riccardo Eugenio Drigo Erstveröffentlichung: 24. Juli 1924

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: An der schönen blauen Donau Erstveröffentlichung: um 1927

*Undecimal neutral seventh on C = B↑♭- (Ben Johnston's notation). 11:6 = 1049.36 cents. Limit: 11-limit.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).